Summer's Celtic Cross Honors Her Father

I see a lot of crosses in my travels through the streets of New York City, so they don't generally grab my attention.

This one, however, did:



There's nothing necessarily magnificent about this tattoo, but it just goes to show that a crisp, simple tattoo can be as aesthetically pleasing, sometimes moreso, than an overly-wrought elaborate design.

Summer had this memorial piece done for her father, who passed away in 2005. His initials grace the center of the cross.

It was inked in Tattooville in Linden, New Jersey. This piece is on Summer's left bicep, she also has the comedy/tragedy masks on the right shoulder blade portion of her back.

Thanks to Summer for sharing her tattoo with us here on Tattoosday!

Austin's Sleeve Pays Tribute to His Grandmother

Austin was visiting New York when I stopped him on 7th Avenue right in front of the Fuse studio.

He offered up this sleeve on his left arm:


























This was inked by Amanda Grace at Truth and Triumph Tattoos. She now works at Smartbomb Tattoo. Both shops are in Dayton, Ohio.

The playing cards are a tribute to his grandmother, who was a card player. She also tended roses, so these flowers also pay homage to her.

Of the other elements, Austin says he just likes skulls, artistically. Also, the words "Never Again" are there to remind him to remain strong his sobriety, and not to go down that same road of dependency.

I appreciate Austin stopping and chatting with me, and thank him for his forthrightness, and for sharing his tattoos with us here on Tattoosday!

Who's Better Than Us: Chris Honors His Father

I met Chris in Brooklyn Heights one afternoon and asked him about his ink. He has seven tattoos in all, but offered up this section of his arm:


What seems at first like an odd juxtaposition of figures makes more sense when it is explained.

The piece is a memorial based on a photograph of his father, who had worked as an editor on the original film of Woodstock, as well as the book documenting the process who worked with the team that made Woodstock (Paradigm), developing and experimenting with new film technology which was eventually used in the process of making the movie.

After searching for a while, I emailed Chris and asked if he could send me the photo. He generously obliged:


Seeing the source material on which this piece is based makes it cooler. The photograph appears in the book, and was taken up at Woodstock when the documentary was in production years laterby one of the cinematographers of the Woodstock film, Chuck Levey somewhere in New Jersey.

And the back of the arm features a quote from Chris's dad, a statement he would often make, which seems genuinely appropriate from someone so deeply immersed in the culture of the 1960s:


Chris had his tattoos inked by Nick Caruso at Fly-Rite Studio in Brooklyn. Work from Fly-Rite has appeared previously on Tattoosday here.

Thanks to Chris for sharing his work here on Tattoosday!